Tom Burrows (Canadian, b. 1940) has been a leading figure in Vancouver’s art scene since the 1960s. In addition to his photography and sculptural works with aluminum, fibreglass and porcelain, he is known for his research into squatting and homelessness. Burrows’ primary artistic focus since the late 1960s has been creating polymer cast panels, which he began experimenting with while attending Saint Martin’s School of Art in London (1967-69). Burrows returned to Vancouver where he became a founding faculty member at the University of British Columbia’s newly formed Bachelor of Fine Arts program, where he taught until 1974. This period coincides with him living at the Maplewood Mudflats in North Vancouver. In recent years, part of Burrows practice has been the creation of almost monochromatic panels that revive the modernist concern with the material nature of the object reduced to issues of surface, scale and the occupation of space. His work is represented by Bau-Xi Galleries, Toronto and Vancouver (since 1995) and Foster White Gallery, Seattle (since 2004); prior to that, his work was represented by the Isaacs Gallery, Toronto until it closed in the early 1990s. Burrows has had solo exhibitions in London, Rome, Tokyo, Berlin, New York and across Canada. His work is included in private, corporate and public collections in Europe, Asia and the Americas. The 2015 exhibition at the Morris and Helen Belkin Art Gallery was the first major survey of Burrows work.

Stan Douglas was born in 1960 in Vancouver where he continues to live and work. His interest in the social implementation of western ideas of progress, particularly utopian philosophies, is located in their often-divisive political and economic effects. His interrogation of the structural possibilities of film and video, in concert with intricately developed narratives, has resulted in a number of groundbreaking contemporary artworks. In 2013, a major survey of his recent work, Stan Douglas: Photographs 2008–2013, was presented at Carré d’Art — Musée d’art contemporain in Nîmes, France. Douglas is a recipient of numerous notable awards, including the  Hasselblad Foundation International Award in Photography (2016), the third annual Scotiabank Photography Award (2013) and the Infinity Award from the International Center of Photography, New York (2012). Over the past decade, Douglas’s work has been the subject of solo exhibitions at prominent institutions worldwide, including the The Fruitmarket Gallery, Edinburgh (2014); Centre culturel canadien, Paris (2013); Minneapolis Institute of Arts, Minnesota (2012); The Power Plant, Toronto (2011); Staatsgalerie Stuttgart and Württembergischer Kunstverein, Stuttgart (2007); The Studio Museum in Harlem, New York (2005); kestnergesellschaft, Hanover (2004); and the Serpentine Gallery, London (2002). His exhibition Inconsolable Memories at the Morris and Helen Belkin Art Gallery was held January 20 to March 19, 2006.

Michael Morris (1942-2022) was a painter, photographer, video and performance artist and curator. His work is often media based and collaborative, involved with developing networks and in the production and presentation of new art activity. In his roles as curator and, primarily, as an artist, Morris was a key figure of the West Coast art scene during the 1960s. Morris studied at the University of Victoria and then at the Vancouver School of Art (now Emily Carr University), followed by graduate studies at Slade School of Fine Art at the University College London, during the 1960s. There he became interested in the work of Fluxus and the European avant-garde, which had a profound influence on his work and on the Vancouver experimental art scene in general. In 1969 he founded Image Bank with Vincent Trasov, a system of postal correspondence between participating artists for the exchange of information and ideas. The intention of Image Bank was to create a collaborative, process-based project in the hopes of engendering a shared creative consciousness—in opposition to the alienation endemic to modern capitalist society—through the deconstruction and recombination of its ideological forms. Morris was acting curator of the Vancouver Art Gallery and the Centre for Communications and the Arts at Simon Fraser University and has had many guest curatorships at other institutions. In 1973, he co-founded the Western Front—one of Canada’s first artist-run centres—and served as co-director for seven years. In 1990 he and Trasov founded the Morris/Trasov Archive, housed at the Morris and Helen Belkin Art Gallery, to research contemporary art. He has established a strong international reputation and worked for many years in Berlin. Morris has participated in artist-in-residence programs both in Canada at the Banff Centre (1990) and at Open Studio (2003) and internationally at Berlin Kustlerprogramm (1981-1998). Morris has had numerous solo and collaborative exhibitions nationally and internationally, and is the recipient of numerous awards, including the 2015 Audain Prize for Lifetime Achievement in Visual Arts, the 2011 Governor General’s Award in Visual and Media Arts and an Honorary Doctorate in 2005 by Emily Carr University of Art + Design.

An important Canadian conceptual artist and a leader in the avant-garde community, Vincent Trasov (b. 1947, Edmonton, AB) is a painter, video and performance artist. His work is often media-based and collaborative in spirit, involved with developing networks. In 1969 he founded Image Bank with Michael Morris, a method for personal exchange of information amongst artists. Trasov has made videotapes since 1971. In 1973, Trasov co-founded and co-directed the Western Front Society, an artist-run centre for the production and presentation of new art activity. Trasov gained international prominence with his performance as Mr. Peanut (in a Planter’s Peanut costume), an official candidate for Mayor of Vancouver in 1974. The Mr. Peanut role was intended as, amongst other things, a commentary about the perceived merging of art and politics. In 1981, he was invited to Berlin with Michael Morris as guest of Berliner Kunstlerprogramm, DAAD. He and Morris founded the Morris/Trasov Archive in 1990, housed at the Morris and Helen Belkin Art Gallery, to research contemporary art and communication. Trasov has had numerous international exhibitions and is represented in public and private collections in both Europe and North America. He presently lives in Berlin and Vancouver.